The Peter Bailey Company has just launched their new P-B Digital website, showcasing a cross section of retouching and CGi case studies from their represented artists. In conjunction with the new site The Operators have launched a new retouching/CGi portfolio. To view and arrange a portfolio viewing, please contact Peter Bailey.
Archive for March, 2009
New Portfolio with P-B Digital Website Launch
Wednesday, March 25th, 2009Mumbi Slum
Wednesday, March 18th, 2009
Photographer: Adam Hinton | Agency: Personal | Client: Personal
Working with photographer Adam Hinton was a delight. The image below was shot in Mumbai of a slum built under a bridge on top of a sewage pipe. Combining over 20 images blended and balanced with grad work and correct perspective throughout to create this panoramic shot with a medley of natural interaction throughout.
Dynamics and Power
Monday, March 9th, 2009
Photographer: Dirk Rees | Agency: Personal | Client: Personal
The Operators worked closely with Dirk Rees to develop and formulate a specific colour stylisation for his new personal series. Representing power and strength through the game of water polo and dynamic water movement, The Operators helped enhance and define the texture and detail within the series.
“Working with The Operators has been an absolute pleasure, from initial Pre-Prod meetings over to the final stages of the project we were working close together. The Operators really understand and read me well and do the up most to work hand in hand with the creative! The Professionalism coming out of the Operators is a true experience and they have taken my images to the level I wanted. From an easy workflow over to the editing suit Communication has never been made so easy and simple.?A true experience, thank you!†Dirk Rees | PhotographerRolls Royce Worldwide
Thursday, March 5th, 2009
Photographer: Kulbir Thandi | Agency: Partners Andrews Aldridge | Client: Rolls Royce
We packed our bags and off we went on location in Munich Germany for 9 days. Dragging our retouch kit behind us, we set up for the first 4 days on set retouching. With all eyes on screen, styles and colour were implemented with direction from all parties. Photographer, agency and client. With the first set moving ahead. All kit was packed up and moved into the hotel room. With 24 images to complete within 9 days there was no time for relaxing and the project had to be moved on to meet strict deadlines. We rose to the challenge by hit the mark with all images and celebrated at the end Munich style in one of the classic bear kellars.
“We shot the highly confidential 200EX project for Rolls-Royce. This meant being ‘holed-up’ in a Munich studio for several weeks. Due to a large number of shots and an ambitious deadline, we needed a creative retoucher on location who could get started immediately and continue working as we shot in tandem. The Operators understood exactly what were trying to achieve and together with the photographer, Kulbir Thandi, produced a dramatic and beautiful series of images.â€
Clive Parsley | Art Director | Andrew Aldridge
Photographer: Kulbir Thandi | Agency: Partners Andrews Aldridge | Client: Rolls Royce
